Commercial Photography is something that I really love to do. For me, commercial photography incorporates specialties like advertising photography, aerial photography, and work that is to be seen by a broader audience. It combines the full outside-the-box creative approach that I always relish while keeping one toe in the real-world, meaning that I realize actual things like physics and deadlines are always in play. I love that challenge. Having grown up on the Sunshine Coast and moved away working around the world to perfect my trade, I’m now back, based in Noosa and offering full-service commercial photography to local, interstate and international clients.

This commercial photography session was for the AEMC, via our friends at We Are Unity. Old brick warehouse location, post production 3D neon lights, great talent to work with. What’s not to love?
Chartered Accountants came looking for a commercial photography solution for their well-known “1” campaign putting the talent in some pretty nice locations.
And another in the cliché series. “High and Dry”
A picnic on the Sydney Harbour Bridge is something you don’t see every day, especially from the bottom chord arch of the bridge itself. This advertising photography shoot was for Destination NSW at the Breakfast on the Bridge event.
Again, taking commercial photography out of the studio and onto the beach for this fun campaign for Air Pacific in Fiji.
When Queensland witnessed the total solar eclipse in 2012, Destination QLD engaged us as commercial photographers and time lapsers for the event. Once seen, never forgotten.
Commercial photography shoot for Transurban. Great fun using a mix of front projection, traditional studio techniques, multiple exposures and post production compositing.
Commercial photography shoot for Transurban. Great fun using a mix of front projection, traditional studio techniques, multiple exposures and post production compositing.
Commercial photography shoot for Suzuki, featuring the cars from “The Block”
Advertising photography series for Telstra, featuring hand-created light paining artefacts as its central theme.